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Gitaartabs

Strumming

Reading and playing strumming patterns

Een aanslag (strumming) is hoe je je rechterhand de snaren laat raken. Het patroon bepaalt het gevoel van een lied — dezelfde akkoorden klinken anders bij een ballade dan bij een rocknummer.

Notation

  • Ddown stroke (downward, from thick to thin string). Marked in sheet music with this symbol above the note.
  • Uup stroke (upward, from thin to thick string). Marked in sheet music with this symbol above the note.
  • xa short tap on the strings — you mute the strings with your left hand so they don't ring out, and strum with your right. Sounds like "chick". Not the same as palm muting (that's a separate technique with your right hand palm).

With pick or fingers? Both work — the direction (down/up) stays the same, only the sound and technique differ. Read about pick vs fingers.

A common "everyman's friend" pattern — heard in hundreds of pop songs. Hit play and hear how the same pattern sounds over a simple progression:

4 4 1e2e3e4e
D·DU·UDU1e2e3e4e
Hoor het · Em · C · G · D

Other time signatures

Not every song is in 4/4. A waltz counts three, an Irish jig goes in 6/8, and Balkan folk often plays in 5/8. The notation stays the same — only the number of notes per measure changes.

3/4 — waltz

3 4 1e2e3e
D·U·D·1e2e3e
Classic three-beat rhythm — for example 'Norwegian Wood' (The Beatles), 'My Heart Will Go On' (Céline Dion), or any waltz. Accent on beat 1, beats two and three held back.
Hoor het · G · D

2/4 — march rhythm

2 4 1e2e
DUDU1e2e
Two tight beats — polkas, children's marches, some folk dances.
Hoor het · C · G

5/8 — five-beat groove (à la Take Five)

5 8 12345
DUDDU12345
Asymmetrical group of three plus two — Dave Brubeck's 'Take Five' has this 5-beat feel, also common in Balkan folk and progressive rock.
Hoor het · Em · Am

6/8 — swinging (Perfect, Hallelujah)

6 8 123456
D··U··123456
Two compelling beats — Ed Sheeran's 'Perfect', Leonard Cohen's 'Hallelujah', most slow dances and lullabies.
Hoor het · G · Em · C · D

Oefen het met een les

Les · met Levi

Levi walks you through the D D U U D U pattern

Reading is one thing, getting it in your hands is another. In the Strumming Pattern trainer, Levi teaches your right hand the universal D-D-U-U-D-U rhythm without your left hand having to think along — first on muted strings, then with one chord per measure. Exactly the pattern you hear above, but to play along at tempo yourself.

Aanslagpatroon-trainer zit in de abonnementen Gitaarles en Alles-in-één. Probeer een maand voor € 1.

Frequently asked questions

  • How do I find the right pattern for a song?

    Three strategies:
    • Listen to the drum. The kick (bass drum) and snare often reveal the rhythm. Down-strokes usually align with the kick.
    • Start simple: quarter notes. Four down-strokes per measure (D D D D). Does it sound okay? Then you can build up to eighths and patterns with up-strokes later.
    • Imitate first, analyze later. Play along with the recording by ear. Only once the rhythm clicks do you write it down or study it.
  • Wrist movement or arm movement?

    Wrist movement — almost always. The arm gives the general swing, but the actual stroke comes from a relaxed wrist. A stiff, whole-arm stroke feels heavy and sounds sluggish; a fluid wrist gives you control, speed, and you can play for hours without fatigue.
  • My wrist cramps — what am I doing wrong?

    Often one of these:
    • Gripping the pick too tight. The pick shouldn't fly out of your hand, but that's a light grip — not holding it like your life depends on it.
    • Wrist overextended. Wrist angle should be straight, not bent forward or to the side.
    • Keep strumming through the pause. Actually pause — let your strumming arm rest for a moment between practice rounds. Your wrist is a muscle; fatigue builds up.
  • Do I always have to hit all six strings?

    Nee. Bij een C-akkoord wil je de lage E (snaar 6) niet meeklinken — die hoort niet in het akkoord. Mik bij verschillende akkoorden op verschillende snarengroepen: power-chords vaak op de onderste 3, open akkoorden meestal op de onderste 4-5. Dit klinkt eerst onmogelijk, maar je hand leert dit binnen een paar weken.
  • What is 'palm muting'?

    You rest the side of your right-hand palm lightly on the strings near the bridge while you strum. Result: a muted, "chunky" sound instead of ringing chords. Lots of rock, punk, and metal riffs use palm muting heavily. Too much pressure = completely dead; too little = no effect. In between is just right.
  • My timing is off — how do I improve it?

    Clap the rhythm first without the guitar — just clap or tap on your leg. Does the rhythm come out right? Then on a muted guitar (right hand palm on all strings). Only then with chords. By breaking down the complexity you give your brain one thing at a time. A metronome helps — start low (60-70 BPM) and build up.

Compare patterns in action?

Pick a song and listen to how the strum creates the feel.